Gordon Osmond
- The Scales
A contemporary drama drawn from today’s headlines about personal and professional struggles within the legal profession.
“The Scales offers some of the best writing heard in any performing medium in years.” – Brad Bradley, Manhattan Mirror (NYC)
Grand Prize Winner, John Gassner Memorial Playwriting Competition (New England Theatre Conference).
Two-Act: 2 hours – single-set
5M
2W
- Fertile Deception
A serious comedy dealing with gay incest, euthanasia and other frivolities.
“I kept thinking, ‘Wouldn’t Noel Coward have loved to have been able to write something this open and unashamed in his time?’” – Harry Hargrave, Raleigh News and Observer.
“Neil Simon, eat your heart out!” – Charles Pierce (NYC)
Two-Act: 2 hours – single-set
4M
2W
- What’s It All About, Albee?
A comic nightmare about the life of two lovers in a totalitarian futuristic state.
“This play is mind-enhancing. It is thoughtful yet entertaining, an excellent combination bound to bring it recognition.” – Joan McCray, Telegram Tribune (San Luis Obispo, Calif.)
“An avant-garde play that mocks avant-garde plays.” – Billy Houck, New Times (Grover Beach, Calif.)
Two-Act: 2 hours – single-set
5M
1W
- Patient Target
A melodrama set in the AIDS crisis.
Produced in New York and Memphis, TN
Two-Act: 1.5 hours – single-set
2M
1W
- First Family
A drama exploring the conflicts presented when the black lover of a deceased son visits the son’s socially prominent parents with revelations about the daughter the lovers adopted after the son was disowned.
Chosen by Stella Adler Theatre in competition sponsored by the Alliance of Los Angeles Playwrights.
Two-Act: 1.5 hours – single-set
3M
2W
